Aastha Dance Classes

Aastha Dance Classes
Aastha dance classes, near, 4th Ave, B Block, Gaur City 1, ext, Sector 4, Greater Noida, Ghaziabad, Uttar Pradesh 201009, India
https://aasthadanceclasses.com/
Aastha Dance Classes sits on the second floor of a modest peach-coloured building on Prem Nagar Main Road, a five-minute walk from the Green Park metro station in Delhi. A narrow, jasmine-scented stairwell, lined with chalk-drawn footprints left by beginners over the years, opens into a wide 1,200-square-foot studio whose walls are painted a cheery marigold. One entire side is mirrored from hip-height upward to let dancers watch alignment; the other two walls display framed photographs of Kathak maestros, Odissi gurus, and Bollywood choreographers whose workshops have been hosted here since the school opened in 2008. The ceiling holds a grid of track lights with dimmable LED spots—warm during classical sessions, candy-pink for hip-hop and jazz evenings.

The floor is 12-millimetre maple on cushioned sub-springs, a feature that sets Aastha apart in a city where most neighbourhood studios settle for ceramic tiles. Students enter through frosted glass doors, set down footwear in numbered cane baskets, and find a place on one of twenty colour-coded yoga mats. A tiny reception counter, painted to look like a tabla, sells alkaline water, ankle bells (₹400), and elastic knee guards. The sound system is uncompromising: a Yamaha mixer feeding Mackie THR15 speakers, ceiling mics for live taal practice, and a sub-woofer that is turned off during sensitive ear-training days. A waterless humidifier keeps the air at 55%—ideal for both wooden floors and throaty alaap warm-ups. Two curtained alcoves behind the mirrors serve as changing rooms, supplied with London Pride deodorant cans and patchouli spirit spritz to mask the inevitable Delhi dust.

Classes run from 7 a.m. to 9 p.m., six days a week. Mornings belong to classical: Bharatanatyam hasta corrections at 7, Kathak tatkar drills at 8, Odissi chauka-baripada flow at 9. Afternoons tilt toward the popular—Bollywood freestyle, contemporary with acro, and Bihu fitness fusion that borrows kettle-bell principles from a visiting physiotherapist. Evenings simulate performance pressure: mirrored lights dimmed, the space turned into a temporary proscenium, soft kaash phool arrangements hinting at an upcoming outdoor stage. Fees are tiered: drop-ins ₹650, monthly one-form ₹3,600, unlimited forms ₹5,400, with a quiet 20% scholarship fund funded by alumni who now dance in Kalakshetra repertory and Broadway tours.

Diversity is woven into the DNA of Aastha. On a typical Thursday at 6 p.m. the adult bollywood batch has engineers, lawyers, and septuagenarian grandmothers rehearsing a Marathi folk remix, while in the adjacent rehearsal room thirteen-year-olds from a nearby MCD school perfect their Bharatanatyam varnam under the watch of Guru Kamala. The annual Shruti Sangam festival in December invites ragas from Rampur-Sahaswan gharana vocalists, KT boundary break-dancers from Korea, and b-boys who set their spins to tabla taals. Year-end certificates come with a silk wrist thread blessed by the resident shehnai player, subtly continuing the belief that rhythm is a lineage and Aastha—faith—is the first beat.

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